Some of the original hymn recordings made as part of the Phase I work at Bias Recording Studio used electronic keyboard simulations of pipe organ as the accompaniments. That was because those keyboards could be brought into the studio. However, for sonic sound quality reasons in phase II, in consultation with the Associate Producer Mr. Bill McElroy, it was decided:
There are at least two pipe organs in churches in Ashland. For a variety of reasons the final choice was to record the pipe organ at Duncan Memorial United Methodist Church, on the campus of Randolph-Macon College, Ashland, Virginia. That is a 35 rank, 2,086 pipe, Schantz pipe Organ.
Many thanks are extended to the Duncan Memorial United Methodist Church for working out arrangements for the on‑location recording of their pipe organ for inclusion as accompaniments as part of this album.
The live recording was made using two different microphone placement concepts.
First. The pipe organ chambers in Duncan Memorial United Methodist church are located high on both sides of the chancel. Additionally, pipes for the Great Division and non-sub-bass Pedal Division are located on the back wall of the chancel facing the congregation. In order to record a relatively "dry" recording (meaning with little room echo), four microphones on separate recording tracks were placed high in the chancel close to each set of pipes. Two were placed on each side of the chancel, high and close to the pipe chambers. That also meant two of the microphones were close to the exposed pipes on the back wall that face the congregation.
Second. To also capture the warm presence of the church with room reverberance, two microphones on separate tracks for a stereo recording of the room were placed in the middle of the main body (the nave) of the church to capture a stereo recording that includes the room’s reverberances. All those tracks were mixed to create the final warm sound representing this very fine pipe organ.